Referencias adicionales

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  • Battier, M. ed. (1999). Aesthetics of Live Electronic Music. Contemporary Music Review, 18(3).
  • Bischoff, J., Gold, R. & Horton, J. (1978). Music for an interactive Network of Computers. Computer Music Journal, 2(3), 24-29.
  • Blaine, T., & Fels, S. (2003). Collaborative Musical Experiences for Novices. Journal of New Music Research, 32(4), 411-428.
  • Chadabe, J (1984). Interactive Composing: An Overview. Computer Music Journal, 8(1), 22-28. Republished in Curtis Roads, ed., The Music Machine (Cambridge, MA: MIT Press, 1989).
  • Cook, P. R. (2001). Principles for Designing Computer Music Controllers. Proceedings of the 2001 Workshop on New Interfaces for Musical Expression, CHI, 2001. Seattle, WA: electronic proceedings.
  • Cutler, M., Robair, G. & Bean (2000). OuterLimits, Electronic Musician Magazine, August 2000, 49-72.
  • Jordà, S. (2002). Improvising with Computers: A personal Survey (1989-2001). Journal of New Music Research, 31(1), 1-10.
  • Lewis, G. E. (2000). Too Many Notes: Computers, Complexity and Culture in Voyager. Leonardo Music Journal, 10, 33–39.
  • Machover, T., & Chung. J. (1989). Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems. In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association, 186-187.
  • Metlay, M. (1989). The Man-Machine Interface.
  • Paradiso, J. A. (1997). Electronic Music: New ways to play. IEEE Spectrum, 34(12), 18-30.
  • Pressing, J. (1990). Cybernetic Issues in Interactive Performance Systems. Computer Music Journal, 14(1), 12-25.
  • Puckette, M. & Settel, Z. (1993). Non-obvious roles for electronics in performance enhancement. In Proceedings of the 1993 International Computer Music Conference. San Francisco, CA: International Computer Music Association :134-137.
  • Rowe, R. (2001). Machine Musicianship. Cambridge, MA: The MIT Press.
  • Ryan, J. (1991). Some Remarks on Musical Instrument Design at STEIM. Contemporary Music Review, 6(1), 3-17.
  • Settel, Z. & Lippe, C. (2003). Convolution Brother’s Instrument Design. In Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03), 197-200. Montreal.
  • Spiegel, L. (1992). An Alternative to a Standard Taxonomy for Electronic and Computer Instruments. Computer Music Journal, 16(3).
  • Tanaka, A. (2000). Musical Performance Practice on Sensor-based Instruments. In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Paris: Ircam - Centre Pompidou.
  • Wanderley, M. M. & Orio, N. (2002). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, 26(3), 62-76.
  • Wessel, D. & Wright, M. (2002). Problems and Prospects for Intimate Musical Control of Computers, Computer Music Journal, 26(3), 11-22.
  • Zicarelli, D. (1987). M and Jam Factory. Computer Music Journal, 11(4): 13.
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